Film Co-Production Market & Pitching Forum

Submissions for the next edition of the Film Co-Production Market & Pitching Forum (October 11-15th, 2022) are now open!

Are you a producer with a feature film project in development and on the look for the right financial partners, co-production deals or pre-sale agreements? 

If you are looking for high profile partners and for the perfect opportunity to showcase your project, look no further! Our Film Co-production Market is now open to submissions of feature film projects, with a director attached, an available script and intended for theatrical distribution and digital streaming. 

Don’t miss the chance to present your project at MIA 2022. Pitch your project to an audience of industry professionals and top international players from Production and Distribution companies, OTT Platforms and Broadcasters as well as Agents and Financiers. 

APPLY NOW! (upon registration to the MIA restricted access area) 

To check eligibility criteria, please see our Rules and Procedures 2022 (link al regolamento Film Co-Production 2022)

The deadline for applications is July 4th, 2022.

For the third year, we are proud to propose also in 2022 the special program Wanna Taste IT?, a further and targeted business opportunity dedicated exclusively to Italian industry and talent, next to the international selection of the co-production market.

Wanna Taste IT? is devoted to Italian feature film projects at an earlier stage of development, accepting submissions from projects at subject/treatment stage (no full script needed). More info and specific rules and regulations HERE 

APPLY NOW! (upon registration to the MIA restricted access area) 

If you wish to have further information, please contact 

Established as a benchmark for the European and International players, over the past editions the Film Co-Production Market has successfully led more than 50% of the selected films to their completion. Among them, to quote only a few titles: 

PLUS QUE JAMAIS by Emily Atef (Cannes 2022, Un certain regard), DALVA by Emmanuelle Nicot (Cannes 2022, Semaine de la critique), CRYPTOZOO by Dash Shaw (NEXT Innovator Award at Sundance Film Festival 2021), LIBERTAD by Clara Roquet (Cannes 2021, Semaine de la critique), ASSANDIRA by Salvatore Mereu (Out of Competition, Venice 77, 2020),  YALDA, A NIGHT FOR FORGIVENESS by Massoud Bakhshi (World Cinema Dramatic Award at Sundance 2020), THE ROADS NOT TAKEN by Sally Potter (Berlinale 2020), DIGGER by Georgis Grigorakis (Berlinale 2020), EDEN by Agnes Kocscis (Rotterdam Film Festival 2020), DIRTY GOD by Sacha Polak (Rotterdam Film Festival 2019, nominated for the EFA Awards 2019), MUSTANG by Laure De Clermont-Tonnerre (Sundance Film Festival 2019), A TALE OF THREE SISTERS by Emin Alper (Berlinale 2019), SCREWDRIVER by Bassam Jarbawi (Venice and Toronto 2018); FARMING by Adewale Akinnuoye-Agbaje (Toronto Film Festival 2018), THE VICE OF HOPE by Edoardo De Angelis (Rome Film Fest 2018), MOBILE HOMES by Vladimir de Fontenay (Cannes 2017); THE PARTY by Sally Potter (Berlinale 2017).


Alumni of Rome’s film co-pro market include also: Agnieszka Holland, Joe Dante, Paddy Considine, Ritesh Batra, Jia Zhang-ke, Sheng Zhimin, Diego Lerman, Kadri Kousaar, Stephen Burke, Katarzyna Roslaniec, Alvaro Brechner, and of course some of the most interesting Italian names (Marco Bellocchio, Sebastiano Riso, Laura Luchetti, Franco Maresco, Manetti Bros, Elisa Fuksas, Fulvio Risuleo, Valerio Mieli, Salvatore Mereu, Matteo Botrugno and Daniele Coluccini, Alessio Cremonini among others).