Submissions for the MIA 2024 Film Co-Production Market & Pitching Forum are now closed.
The Film Co-Production Market & Pitching Forum is open to submissions of feature film projects, with a director attached, an available script, and intended for theatrical distribution and digital streaming, for pitching to an audience of industry professionals and top international players from Production and Distribution companies, OTT Platforms and Broadcasters as well as Agents and Financiers.
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Wanna Taste IT?
For the fifth year, we are proud to propose also in 2024 the special program Wanna Taste IT?, a further and targeted business opportunity dedicated exclusively to Italian industry and talent, next to the international selection of the co-production market.
Wanna Taste IT? is devoted to Italian feature film projects at an earlier stage of development, accepting submissions from projects at subject/treatment stage (no full script needed). More info and specific rules and regulations HERE.
The call for applications has closed on July 8th, 2024 at 5pm CEST.
To check eligibility criteria, please see our Rules and Procedures 2024.
If you have doubts, questions, or if you need further information, please get in contact with us writing to filmcopro@miamarket.it.
Established as a benchmark for the European and International players, over the past editions the Film Co-Production Market has successfully led more than 50% of the selected films to their completion. Among them, to quote only a few, more recent titles:
ALL SHALL BE WELL by Ray Yeung (Berlin Film Festival, Panorama section, 2024), ANIMAL by Sofia Exarchou (Locarno Film Festival and Sarajevo Film Festival, 2023), THE BEAUTIFUL SUMMER by Laura Luchetti (Locarno Film Festival 2023), MAMACRUZ by Patricia Ortega (Sundance Film Festival 2023), BRUJERÍA by Christopher Murray (Göteborg and Sundance Film Festivals 2023), PLUS QUE JAMAIS by Emily Atef (Cannes 2022, Un certain regard), DALVA by Emmanuelle Nicot (Cannes 2022, Semaine de la critique), BROADWAY by Christos Massalas (IFFR Rotterdam 2022), THE NIGHTSIREN by Tereza Nvotová (Locarno 2022, Cineasti del Presente competition), CRYPTOZOO by Dash Shaw (NEXT Innovator Award at Sundance Film Festival 2021), LIBERTAD by Clara Roquet (Cannes 2021, Semaine de la critique), ASSANDIRA by Salvatore Mereu (Out of Competition, Venice 77, 2020), YALDA, A NIGHT FOR FORGIVENESS by Massoud Bakhshi (World Cinema Dramatic Award at Sundance 2020), THE ROADS NOT TAKEN by Sally Potter (Berlinale 2020), DIGGER by Georgis Grigorakis (Berlinale 2020), THE PENULTIMATE by Jonas Kærup Hjort (Tallinn 2020), EDEN by Agnes Kocscis (Rotterdam Film Festival 2020).
Alumni of Rome’s co-pro market include also: Agnieszka Holland, Joe Dante, Paddy Considine, Ritesh Batra, Jia Zhang-ke, Sheng Zhimin, Diego Lerman, Kadri Kousaar, Stephen Burke, Katarzyna Roslaniec, Alvaro Brechner, and of course some of the most interesting Italian names (Marco Bellocchio, Sebastiano Riso, Laura Luchetti, Franco Maresco, Manetti Bros, Elisa Fuksas, Fulvio Risuleo, Valerio Mieli, Salvatore Mereu, Matteo Botrugno and Daniele Coluccini, Alessio Cremonini among others).
