Registrations for Italians Doc It Better are now closed.
The selection will be announced by the end of September.
Italians Doc It Better facilitates the circulation of new Italian documentaries by providing producers with a platform to present their projects and secure international distribution.
Up to ten documentaries, selected through a public call and by a selection committee, will be presented in a session open to sales agents, distributors, and MIA-accredited industry professionals.
Among the titles presented in previous editions of Italians Doc It Better:
HEART DRESSED – VESTITI CON IL CUORE (HEART DRESSED) by Sophie Chiarello and Giulia Amati; OTO by Elisa Motta and Matteo Ferrarini; PESTIFERUS LUPUS by Ludovico Serra and Luca Jankovic; ARI – BERLINDREAMSSEXMEMORIES (ARI: MOM, SEX AND EVERYTHING ELSE) by Fabio Breccia; L’OTTAVO GIORNO (THE EIGHTH DAY) by Sabrina Varani; IL TEATRO POVERO DELLA VAL D’ORCIA (THE PEOPLE’S THEATER) by Marco Amenta; LE VITE POSSIBILI (THE POSSIBLE LIVES) by Agostino Ferrente; I CAPELLI DI MIO PADRE (MY FATHER’S WIGS) by Lorenzo Signoretti; ROSANNA TRA LE RIGHE (ROSANNA BETWEEN THE LINES) by Pepi Romagnoli; I PESCI NON CHIUDONO GLI OCCHI (FISH DON’T CLOSE THEIR EYES) by Audrey Gordon; SIGONELLA LA SFIDA (SIGONELLA THE CHALLENGE) by Flavia Triggiani and Marina Loi; L’INCANTO (THE ENCHANTMENT) by Tomaso Pessina; ARTE SCIOPERO (ART STRIKE) by Luca Immesi; LA VITA CHE MI DIEDI(PULLING MY OWN STRINGS) by Alessandra Cataleta; L’ALLENATORE DEI MATTI (THE MADMEN COACH) by Carlo Liberatore; FINO ALLA FINE (UNTIL THE END) by Michael Braha; L’ERA D’ORO (THE GOLDEN AGE) by Camilla Iannetti; ACHILLE LAURO: LA CROCIERA DEL TERRORE (ACHILLE LAURO: THE TERROR CRUISE) by Simone Manetti; LA PRIMA VOLTA (THE FIRST TIME) by Andrea Bosello; LIRICA UCRAINA (UKRAINIAN WHISPERS) by Francesca Mannocchi.
